A VACE guide will not change its subject, so the same-subject question stays open

Status: falsified instrument, no arms rendered. A Wan2.1 VACE video-to-video pass at strength 1.0 reproduces the source clip's subject and ignores a prompt that asks for a different one, so the same-subject guide and the different-subject guide are the same man in the same suit. Factor 1 never varies, the comparison cannot be built, and no conditioned arm was rendered.

The question

An earlier result found that a VACE-rendered guide video carries neither props nor action into MiniMax H3, through either of H3's two video inputs. Its limitations section names the objection this experiment exists to answer:

The guide depicts a different figure from the prompt's subject. If the intended workflow is that the guide already resembles the target shot, that is a different procedure and would deserve its own test.

That is a fair objection. A guide showing a suited man, handed to a shot whose prompt describes a blonde woman in a 1960s mini dress, asks the model to transfer an action while contradicting it about who is performing it. If H3 resolves that conflict by discarding the guide, the published null measures the contradiction rather than the mechanism.

So: render a second guide that depicts the prompt's own subject performing the same choreography, and compare.

Method

Six conditions, four seeds each, twenty-four arms. Everything is held except the conditioning: the same prompt, 832x480, 124 frames, the int8_convrot transformer, the nvfp4_awq text encoder, strength 0.8 and a 0.0-0.6 control window on every FunControl arm.

Two factors cross:

Arm Guide subject Pathway
arm0_null none none
arm1_fc_diff different control_video
arm2_fc_same same control_video
arm3_ref_diff different ref_videos
arm4_ref_same same ref_videos
armS_pose pose skeleton control_video

arm0_null is the null: what the prompt alone produces, measured in this configuration rather than borrowed from another run. armS_pose is the positive control — the pose track is already known to transfer action, so an arm that fails to move while the skeleton arm moves separates "this guide does nothing" from "nothing works today".

All six conditioning fixtures are derived from 294-frame sources by one uniform resample, so a difference between arms cannot come from how the fixtures were cut.

The design's own guard is what failed. Before any arm renders, the fixtures are decoded and hashed, and the build aborts if the same-subject and different-subject guides are not distinct. That check exists because two guides that are secretly identical would produce a clean-looking null with no information in it.

Results

The guard did not fire, because the two guides are not bit-identical — they are separately encoded. They are nonetheless the same person.

The same-subject guide is rendered from a prompt naming "a young woman with a blonde bob, wearing a sleeveless late-1960s colour-blocked A-line mini dress in red, white and blue, and low white heels". What came back is a man in a dark suit.

Five frames from the intended same-subject guide: a man in a dark suit carries a briefcase, kneels, opens it, and extracts a tripod

Set beside the different-subject guide, the two are the same subject wearing the same suit, performing the same choreography:

Top row the intended same-subject guide, bottom row the different-subject guide; both show the same suited man

The mechanism is not mysterious. WanVaceToVideo runs at strength: 1.0 over a control video of the source clip, which pins the output to the source's pixels. The text prompt is present but has nothing left to decide. The subject swap the experiment depends on never happens.

No conditioned arm rendered. Only arm0_null completed, at all four seeds — the arm with no guide at all, which cannot answer the question. Zero of the twenty conditioned arms produced a frame, so there is no measurement to report and nothing landed in Immich.

What it means

The objection from the earlier write-up is not answered, and the design as registered cannot answer it. A video-to-video pass at full strength is a copier, not a re-caster: it is the wrong instrument for producing "the same action, performed by a different person".

This also tightens the earlier result rather than weakening it. That experiment's guide was honestly described as depicting a different figure; this one shows that the obvious fix does not produce what it appears to promise. Anyone repeating the recipe with "just render the guide with your own character in it" will get the source clip's character back unless they change how the guide is made.

Three routes remain, none of them tested here:

What this does not settle

Cost

Files

Workflows are API-format and name local checkpoints; they are a starting point, not a drag-and-drop.